THE MAKING OF: Eiji, the Dark Nephillim

I will sort of explain both ways described before here... but just to let you know, I chose to print in cyan tones, then ink traditionally with a black rollerball pen (doesn't sound very professional, but you get pretty nice effects not achieved with chinese inks and quill pens).

2. INKING

a) Digital Ink (with Photoshop or Painter)

I'll just explain this a little... the technique I use when inking directly on the painting program is simple.

What I first do is convert the b/w file into RGB colors, and then color the lines with a cyan tone (cyan is a very light blue as you can see), that will serve me as guidelines. I do this in Photoshop always, I find it a very useful program ^_^

Next, I create a new layer in either Photoshop or Painter, and start inking above my cyan lineart. You can use a hard round px brush (Photoshop), or a soft ink pen (Painter) to do the inking. When the inking is done, just clear the cyan lineart and flatten the file. Presto! digital ink is done ^_^

 

b) Traditional Ink

I decided for this one to go with the traditional method. So what I do is print a copy in cyan tones over good quality paper, ink it, and then scan it in grayscale or b/w. Since cyan is a very light color, the scanner won't notice the guidelines and so, you'll get a clean black lineart, ready to color!

And so, we got our clean black lineart into our computer program. With Photoshop CS2 I clean it up a little more, deleting unwanted lines or dust dots that might have been scanned accidentally.

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